Please check my York Research Database profile for an full list of publications!
Selected Publications:
- Wald-Fuhrmann, M., Egermann, H., O’Neill, K., Czepiel, A., Weining, C., Meier, D., Tschacher, W., Uhde, F., Toelle, J., & Tröndle, M. (2021). Music Listening in Classical Concerts: Theory, Literature Review, and Research Program. Frontiers in Psychology, 1-14. https://doi.org/10.3389/fpsyg.2021.638783
- Gibbs, H., & Egermann, H. (2021). Music-Evoked Nostalgia and Wellbeing During the United Kingdom COVID-19 Pandemic: Content, Subjective Effects, and Function. Frontiers in Psychology, 12, [647891]. https://doi.org/10.3389/fpsyg.2021.647891
- Egermann, H., & Reuben, F. (2020). “Beauty is how you feel inside”: Aesthetic judgements are related to emotional responses to contemporary music. Frontiers in Psychology, 11, [510029]. https://doi.org/10.3389/fpsyg.2020.510029
- Lepa, S., Herzog, M., Steffens, J., Schoenrock, A., & Egermann, H. (2020). A computational model for predicting perceived musical expression in branding scenarios. Journal of New Music Research. https://doi.org/10.1080/09298215.2020.1778041
- Altun, F., & Egermann, H. (2020). Temperament Systems Influence Emotion Induction but not Makam Recognition Performance in Turkish Makam Music. Psychology of Music. https://doi.org/10.1177/0305735620922892
- Johnston, D., Egermann, H. W., & Kearney, G. C. (2018). Innovative Computer Technology in music based interventions for individuals with autism – Moving beyond traditional interactive music therapy techniques. Cogent Psychology. https://doi.org/10.1080/23311908.2018.1554773
- Daffern, H., Camlin, D. A., Egermann, H. W., Gully, A. J., Kearney, G. C., Neale, C., & Rees-Jones, J. D. (2018). Exploring the potential of virtual reality technology to investigate the health and well being benefits of group singing. International Journal of Performance Arts and Digital Media. https://doi.org/10.1080/14794713.2018.1558807
- Emerson, G., & Egermann, H. (2018). Gesture-sound causality from the audience’s perspective: investigating the aesthetic experience of performances with digital musical instruments. Psychology of Aesthetics, Creativity, and the Arts, 12(1), 96-109. https://doi.org/10.1037/aca0000114
- Irrgang, M., & Egermann, H. (2016). From Motion to Emotion: Accelerometer Data Predict Subjective Experience of Music. PLoS ONE, 11(7), [e0154360]. https://doi.org/doi:10.1371/journal.pone.0154360
- Egermann, H., Fernando, N., Chuen, L., & McAdams, S. (2015). Music induces universal emotion-related psychophysiological responses: comparing Canadian listeners to Congolese Pygmies. Frontiers in Psychology, 5, [1341]. https://doi.org/10.3389/fpsyg.2014.01341
- Egermann, H., Pearce, M. T., Wiggins, G. A., & McAdams, S. (2013). Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music. Cognitive, affective behavioral neuroscience, 13(3), 533-553. https://doi.org/10.3758/s13415-013-0161-y
- Egermann, H., & McAdams, S. (2013). Empathy and emotional contagion as a link between recognized and felt emotions in music listening. Music perception, 31(2), 139-156. https://doi.org/10.1525/mp.2013.31.2.139
- Egermann, H., Sutherland, M. E., Grewe, O., Nagel, F., Kopiez, R., & Altenmuller, E. (2011). Does music listening in a social context alter experience? A physiological and psychological perspective on emotion. Musicae scientiae, 15(3), 307-323. https://doi.org/10.1177/1029864911399497