Publications

Peer-Reviewed Journal Articles and Book Chapters (forthcoming)

  1. Emerson, G. & Egermann, H. (submitted). An Exploratory Investigation of Motivation for New Digital Musical Instrument Building.
  2. Papadogianni-Kouranti, M., & Egermann, H. (submitted). Vibrotactile Stimulation improves Music Perception Accuracy of Cochlear Implant Users.
  3. Egermann, H. (in press). Creating a Sounding Image: Psychological Aspects of Audio Branding. In M. Grimshaw, M. Walther-Hansen, & M. Knakkergaard (Eds.), The Oxford Handbook of Sound & Imagination. Oxford University Press.
  4. Egermann, H., & Kreutz, G. (in press). Emotionen und ästhetische Gefühle. In A. C. Lehmann, & R. Kopiez (Eds.), Handbuch Musikpsychologie. Göttingen, Germany: Hogrefe.
  5. Pysiewicz, A. & Egermann, H. (in preparation). Validity of web-based auditory perception experiments.

Peer-Reviewed Journal Articles 

  1. Emerson, G., & Egermann, H. (2017). Gesture-sound causality from the audience’s perspective: Investigating the influence of mapping perceptibility on the aesthetic perception of new digital musical instruments. Psychology of Aesthetics, Creativity, and the Arts. DOI: 10.1037/aca0000114
  2. Irrgang, M. & Egermann, H. (2016). From Motion to Emotion: Accelerometer Data Predict Subjective Experience of Music. PLoS ONE, 11(7): e0154360. dos: 10.1371/journal.pone.0154360
  3. Förstel, A. & Egermann, H. (2015). Die DJ-Performance im Club-Kontext – eine Beobachtungsstudie. Jahrbuch Musikpsychologie, 25, 142-158.
  4. Lepa, S., Hoklas, A.-K., Egermann, H., Weinzierl, S. (2015). Sound, Materiality and Embodiment: Challenges for the Concept of ‘Musical Expertise’ in the Age of Digital Mediatization. Convergence – The International Journal of Research into New Media Technologies, first published online on April 24, 2015 doi:10.1177/1354856515579837
  5. Egermann, H., Fernando, N., Chuen, L.  & McAdams, S. (2015). Music Induces Universal Emotion-Related Psychophysiological Responses: Comparing Canadian Listeners To Congolese Pygmies. Frontiers in Psychology: Emotion Science, 5, 1341. doi: 10.3389/fpsyg.2014.01341
  6. Giordano BL, Egermann H, Bresin R (2014) The Production and Perception of Emotionally Expressive Walking Sounds: Similarities between Musical Performance and Everyday Motor Activity. PLoS ONE 9(12): e115587. doi:10.1371/journal.pone.0115587
  7. Fernando, N., Egermann, H., Chuen, L., Kimbembé, B. & McAdams, S. (2014). Musique et émotion. Quand deux disciplines travaillent ensemble à mieux comprendre le comportement musical humain. Anthropologie et Société, 38(1),167-191.
  8. Egermann, H. (2013). Zum Zusammenhang von musikalischer Erwartung und Emotion. Zeitschrift der Gesellschaft für Musiktheorie, 10(2). 
  9. Egermann, H. & McAdams, S. (2013). Empathy and emotional contagion as a link between recognized and felt emotions in music listening. Music Perception, 31(2), 139-156. DOI: 10.1525/MP.2013.31.2.139
  10. Egermann, H., Pearce, M., Wiggins, G.  & McAdams, S. (2013). Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music. Cognitive Affective Behavioral Neuroscience, 13(3), 533-553. DOI 10.3758/s13415-013-0161-y
  11. Egermann, H., Kopiez, R., Altenmüller, E. (2013). The Influence of Social Normative and Informational Feedback on Musically Induced Emotions in an Online Music Listening Setting. Psychomusicology. Music, Mind, and Brain, 23(1), 21-32.  DOI: 10.1037/a0032316 
  12. Egermann, H., Sutherland, M. E., Grewe, O., Nagel, F., Kopiez, R., Altenmüller, E. (2011). Does music listening in a social context alter experience? A physiological and psychological perspective on emotion. Musicae Scientiae, 15(3), 307-323.
  13. Egermann, H., Nagel, F., Kopiez, R. & Altenmüller, E. (2009). Continuous Measurement of Musically-Induced Emotion – A Web Experiment. International Journal of Internet Science, 4(1).
  14. Sutherland, M., Grewe, O., Egermann, H., Nagel, F., Kopiez, R., Altenmüller, E. (2009). The Influence of Social Situations on Music Listening. Annals of the New York Academy of Sciences, 1169, 363-367.
  15. Egermann, H., Grewe, O., Kopiez, R., & Altenmüller, E. (2009). Social feedback influences musically induced emotions. Annals of the New York Academy of Sciences, 1169, 346-350.
  16. Egermann, H. & Haller, K. (2009). Corporate acoustic design. Research & Results, 3, 50 – 51.
  17. Egermann, H., Kopiez, R. & Reuter, C. (2006). Is there an effect of subliminal messages in music on choice behavior? Journal of Articles in Support of the Null Hypothesis, 4(2), 29-46.

Book Chapters

  1. Emerson, G. & Egermann, H. (2017). Mapping, Causality and the Perception of Instrumentality: Theoretical and Empirical Approaches to the Audience’s Experience of Digital Musical Instruments. In Bovermann, T., de Campo, A., Egermann, H., Hardjowirogo, S-I. & Weinzierl, S. (Eds.). Musical Instrument Identities in the 21st Century. Springer: Heidelberg.
  2. Egermann, H. & Lothwesen, K.S. (2017). Musikforschung 2.0 – Internet-basierte Erhebungsmethoden. In Schulten, M. L. & Lothwesen, K. S. (Hrsg.). Methoden empirischer Forschung in der Musikpädagogik. Eine anwendungsbezogene Einführung. Münster: Lit.
  3. Muellensiefen, D., Egermann, H., Burrows, S. (in press). Radio station jingles: How statistical learning applies to a special genre of audio logos.  In K. Bronner, R. Hirt, C. Ringe (Eds.). Audio Branding Yearbook 2014-2015 (p.53-72). Baden-Baden: Nomos.
  4. Egermann, H. (2013). Linking Theories of Emotion-Induction to Applications in Audio Branding. In K. Bronner, R. Hirt, C. Ringe (Eds.). Audio Branding Yearbook 2012-2013. Baden-Baden: Nomos. 
  5. Egermann, H. (2009). Music influences listeners’ emotion – A Review on evidence from psychological and physiological research. Jahrbuch Musiktherapie / Music Therapy Annual, 5, 35-59.

Books

  1. Bovermann, T., de Campo , A., Egermann, H., Hardjowirogo, S-I., & Weinzierl, S. (2017, Eds.). Musical Instrument Identities in the 21st Century. Springer: Heidelberg.
  2. Egermann, H. (2010). Social Influences On Emotions Experiences During Music Listening – An Exploratory Study Using Physiological and Web-Based Psychological Methods. Wissenschaftlicher Verlag Berlin: Berlin. (Link to publisher)
  3. Egermann, H. (2008). Emotionen@Musik. Was Musikhörer empfinden – Eine Internet-Studie zur Emotionsmessung. Tectum Verlag: Marburg.

Peer-Reviewed Conference Articles

  1. Herzog, M., Lepa, S. & Egermann, H. (2016). Towards automatic music recommendation for audio branding scenarios. Proceedings of the ISMIR 2016 conference, New York, USA, August 2016. pdf
  2. Irrgang, M., Egermann, H., Acar, E., Lommatzsch, A. (2015). Predicting Geneva Emotional Music Scale ratings based on PDA-assessed gestural motion data. Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) Music, Mind, and Embodiment, Plymouth, UK, June 2015. pdf
  3. Förstel, A., Hardjowirogo, S.-I., Egermann, H., (2015). The Actions that Make an Instrument. Exploring Club-DJing as an Instrumental Practice. Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) Music, Mind, and Embodiment, Plymouth, UK, June 2015. pdf
  4.  Egermann, H., Förstel, A. Lehrbach, N. & Wende, M. (2015). Swinging to the Beat – Movement Induction in Electronic Dance Music. Proceedings of the 9th Triennial Conference of European Society for the Cognitive Sciences of Music, Manchester, UK, 17-22 August 2015. pdf
  5. Papadogianni, M.; Egermann, H.; Weinzierl, S., (2015). Auditive and Audiotactile Music Perception of Cochlear Implant Users. Proceedings of the Annual Meeting of the German Acoustical Society, Nürnberg, Germany, March 2015. pdf
  6. Steger, D., Egermann, H., Weinzierl, S. (2015). Spielbewegungen von Musikinstrumenten und deren Bedeutung für das Klangergebnis – Ein experimentelle Analyse durch Motion Tracking klassischer Orchesterinstrumente und Auralisation der Bewegungsdaten [Performance Movements of Music Instruments and their Meaning for Resulting Sound – An Experimental Motion Tracking Analysis of Classical Ochestral Instruments and Auralization of Movement Data]. Annual Meeting of the German Acoustical Society, Nürnberg, Germany, March 2015. pdf
  7. Hardjowirogo, S. & Egermann, H. (2014). Systematising History: A Database for Electronic and Digital Musical Instruments Including Functional and Aesthetical Properties. Proceedings of the 9th Conference on Interdisciplinary Musicology – CIM14, Berlin, Germany. pdf
  8. Bovermann, T., Egermann, H., Foerstel, A., Hardjowirogo, S.-I., Hinrichsen, A., Hildebrand Marques Lopes, D., Pysiewicz, A., Weinzierl, A., and de Campo, A. (2014). 3DMIN – Challenges and Interventions for the Design, Development and Dissemination of New Musical Instruments. Proceedings of the 40th International Computer Music Conference, Athens, Greece. pdf
  9. Graefe, C., Egermann, H. (2014). Using linear mixed models for audio feature-based prediction of continuous emotional responses to music. Proceedings of the Annual Meeting of the German Acoustical Society, Oldenburg, Germany, March, 2014. pdf
  10. Pysiewicz, A., Egermann, H. (2014). Validity and reliability of Web-based auditory-perception experiments. Proceedings of the Annual Meeting of the German Acoustical Society, Oldenburg, Germany, March, 2014. pdf
  11. Egermann, H., Nagel, F., Kopiez, R. Altenmüller, E. (2006). Online measurement of emotional musical experiences using internet-based methods – An exploratory approach. In M. Baroni, A. R. Addessi, R. Caterina & M. Costa (Hrsg.) Proceedings of the 9th International Conference of Music Perception and Cognition (ICMPC), Bologna, Italien.

Peer-Reviewed Conference Abstracts

  1. Lepa, S., Herzog, M., Egermann, H. (2016). Entwicklung eines Instruments zur Erhebung und Beschreibung des empfundenen Musikausdrucks in Audio Branding Szenerien. Tagungsband der 3. Tagung der Fachgruppe Werbekommunikation der Deutschen Gesellschaft für Publizistik- und Kommunikationswissenschaft, Münster, 16-18 November 2016.
  2. Emerson, G., Förstel, A., Egermann, H. (2016). Gesture-sound causality from the audience’s perspective: investigating the influence of mapping design on the reception of new digital musical instruments. Abstract Book of the 14th International Conference on Music Perception and Cognition, San Francisco, CA, USA, 4-11 July 2016.
  3. Förstel, H. & Egermann, H. (2016). Embodiment in Electronic Dance Music: The Performer’s Perspective. Abstract Book of the 14th International Conference on Music Perception and Cognition, San Francisco, CA, USA, 4-11 July 2016.
  4. Emerson, G., Förstel, A., Egermann, H. (2015). Gesture-sound causality from the audience’s perspective: investigating the influence of mapping design on the reception of new digital musical instruments. Tagungsband der Jahrestagung Gesellschaft für Musikpsychologie, Oldenburg, 11-13 September 2015. pdf
  5. Schultz, C. M., Seedorf, M., Förstel, A., Egermann, H. (2015). Signale – Entwicklung und Evaluation eines Open Source Ensembles elektronischer Musikinstrumente zur Vermittlung elektronischer/elektroakustischer Musik und ihrer technischen Grundlagen. Tagungsband der Jahrestagung Gesellschaft für Musikpsychologie, Oldenburg, 11-13 September 2015. pdf
  6. Förstel, A. Lehrbach, N. Wende, M., & Egermann, H. (2015). Swinging to the Beat – Movement Induction in Electronic Dance Music. Tagungsband der Jahrestagung Gesellschaft für Musikpsychologie, Oldenburg, 11-13 September 2015.
  7. Muellensiefen, D., Egermann, H., Burrows, S. (2015). Learning Statistical Regularities of a Simple Musical ‘Genre’: The Case of Radio Station Jingles. Abstracts of the European Conference on Data Analysis 2015, University of Essex, Colchester, UK, 2-4 September 2015. pdf
  8. Irrgang, M. & Egermann, H. (2015). Describing Music-Mediated Emotion with Motion: PDA-Measured Acceleration Data Predict Perception of GEMS-9 to Different Degrees. Abstract Book of the 9th Triennial Conference of European Society for the Cognitive Sciences of Music, Manchester, UK, 17-22 August 2015
  9. Förstel, A. & Egermann, H. (2015). Performance Expertise of DJs in the Club-Context. Abstract Book of the 9th Triennial Conference of European Society for the Cognitive Sciences of Music, Manchester, UK, 17-22 August 2015. pdf
  10. Foerstel, A. & Egermann, H. (2014). Bewegungsmuster von DJs im Club-Kontext. Tagungsband der 13. Jahrestagung der Gesellschaft für Musikpsychologie, Erlangen, Germany, 12.- 14. 9. 2014.
  11. Pysiewicz, A. & Egermann, H. (2014).  Interne Validität von musikpsychologischen Web- und Labexperimenten im direkten Vergleich. Tagungsband der 13. Jahrestagung der Gesellschaft für Musikpsychologie, Erlangen, Germany, 12.- 14. 9. 2014.
  12. Egermann, H. & Stiegler, C. (2014). Communicating National and Temporal Origin of Music – An Experimental Approach to Applied Musical Semantics. Tagungsband der 13. Jahrestagung der Gesellschaft für Musikpsychologie, Erlangen, Germany, 12.- 14. 9. 2014.
  13. Egermann, H., & Kahlhoefer, D., Schultz, C.M. & Seedorf, M. (2014). New Media Use and Music Appreciation: Connections Between Contemporary Access to Music and its Perceived Value. Proceedings of the 13th International Conference of Music Perception and Cognition 2014, Seoul, Korea.
  14. Foerstel, A., Egermann, H., McAdams, S. (2014). The Effects of Continuous Subjective Music Experience Ratings on Physiological and Psychological Measures of Activation and Valence. Proceedings of the 13th International Conference of Music Perception and Cognition 2014, Seoul, Korea.
  15. Egermann, H., & Stiegler, C. (2014). Communicating National and Temporal Origin of Music – An Experimental Approach to Applied Musical Semantics. Proceedings of the 13th International Conference of Music Perception and Cognition 2014, Seoul, Korea.
  16. Egermann, H., Fernando, N., Chuen, L. & McAdams, S.  (2013). Cross-Cultural Emotional and Psychophysiological Responses to Music: Comparing Western Listeners to Congolese Pygmies. Tagungsband der 12. Jahrestagung des Gesellschaft für Musikpsychologie, Frankfurt (Main), Germany, 6.- 8. 9. 2013.
  17. Egermann, H., Kopiez, R., Altenmüller, E. (2013). The Influence of Social Normative and Informational Feedback on Musically Induced Emotions in an Online Music Listening Setting. 8th Conference of the Media Psychology Division, German Psychological Society, Würzburg, Germany, 4.-5. 9. 2013.
  18. Ditter, D., Schmidt, L., Tesmer, N., Egermann, H. (2013). An Experimental Investigation on Empathy as an Emotion-Induction Mechanism in Music Listening. Proceedings of the 3rd International Conference on Music & Emotion, Jyväskylä, Finland, June 11-15, 2013.
  19. Egermann, H., Pearce, M., Wiggins, G.  & McAdams, S.  (2013). Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music. Proceedings of the 3rd International Conference on Music & Emotion, Jyväskylä, Finland, June 11-15, 2013.
  20. Egermann, H., Fernando, N., Chuen, L. & McAdams, S.  (2013). Cross-Cultural Emotional and Psychophysiological Responses to Music: Comparing Western Listeners to Congolese Pygmies. Proceedings of the 3rd International Conference on Music & Emotion, Jyväskylä, Finland, June 11-15, 2013.
  21. Egermann, H., Gaulin, M., McAdams, S. (2012). Perception and Emotional Effect of Fade-outs in Song Endings in Popular Music. Tagungsband der Jahrestagung der deutschen Gesellschaft für Musikpsychologie 2012, Bremen.
  22. Egermann, H., Fernando, N., Chuen, L., McAdams, S. (2012). Cross-Cultural Emotional and Psychophysiological Responses to Music: Comparing Western Listeners to Congolese Pygmies. Proceedings of the 12th International Conference of Music Perception and Cognition 2012, Tessaloniki, Griechendland.
  23. Egermann, H., & McAdams, S. (2011). Expectation and Emotion in a Live Concert Experiment. Psychophysiology. Special Issue: Society for Psychophysiological Research Abstracts for the Fifty-First Annual Meeting Westin Boston Waterfront Hotel,  Boston Massachusetts September 14–18,  2011, Volume, 48, S84.
  24. Egermann, H., Pearce, M., Wiggins, G. & McAdams, S. (2011). Expectation and Emotion in a Live Concert Experiment. Proceedings of the Meeting of the Society of Music Perception and Cognition 2011, Rochester, NY, USA.
  25. Egermann, H. & McAdams, S. (2010). Recognition is Different From Feeling: Experimental Evidence for Two Different Types of Emotional Processes in Music Using a Between-Subjects Design in a Web Experiment. Proceedings of the 11th International Conference of Music Perception and Cognition, Seattle, WA, USA.
  26. Egermann, H., Kopiez, R., Altenmüller, E., (2009). The Influence of Social Situations on Music Listening: A Physiological and Psychological Perspective on Strong Emotions. Proceedings of the 7th Triennial Conference of European Society for the Cognitive Sciences of Music, Jyväskylä, Finland, 12–16 August 2009.
  27. Egermann, H., Kopiez, R., Altenmüller, E., (2009). Social Feedback Influences the Emotional Evaluation of Online Music Listening. Proceedings of the General Online Research 2009, Vienna, Austria.
  28. Egermann, H., Grewe, O., Kopiez, R., Altenmüller, E., (2008). Social feedback influences emotional feelings of music. Proceedings of the 11th of the 12th International Conference of Music Perception and Cognition 2008, Sapporo, Japan.
  29. Egermann, H., Grewe, O., Kopiez, R., Altenmüller, E., (2008). Social feedback influences emotional feelings of music. Posterpräsentation auf der Neurosciences and Music III, Montreal, Canada.
  30. Egermann, H., Nagel, F., Kopiez, R. Altenmüller, E. (2008). Online measurement of emotional musical experiences using Internet-based methods – An exploratory approach. Proceeings of the General Online Research 2008, Hamburg.
  31. Egermann, H., Grewe, O., Kopiez, R., Altenmüller, E., (2008). Der Einfluss von sozialem Feedback auf die emotionale Wirkung von Musik. Tagungsband der TeaP 2008, Marburg.
  32. Egermann, H., Altenmüller, E., Grewe, O., Kopiez, R. (2007). The influence of social feedback on the emotional effects of music. Tagungsband des internationalem Symposiums: Evolution of Emotional Communication: From Sounds in Nonhuman Mammals to Speech and Music in Man, Hannover.
  33. Egermann, H., Altenmüller, E., Grewe, O., Kopiez, R. (2007). Der Einfluss von sozialem Feedback auf die emotionale Wirkung von Musik. Tagungsband der Jahrestagung der Deutschen Gesellschaft für Musikpsychologie 2007, Gießen.
  34. Egermann, H., Kopiez, R. (2006). The effect of subliminal messages in music on choice behaviour. Tagungsband der Jahrestagung der deutschen Gesellschaft für Musikpsychologie 2006, Freiburg.
  35. Egermann, H., Nagel, F., Kopiez, R. Altenmüller, E. (2006). Emotionales Erleben beim Musikhören – eine Online-Studie zur kontinuierlichen Emotionsmessung unter Verwendung des Internets. Tagungsband der Jahrestagung der Deutschen Gesellschaft für Musikpsychologie 2006, Freiburg.
  36. Egermann, H., Nagel, F., Kopiez, R., Drescher, D. (2005). Der negative Synchronisierungsfehler (NSF) – Effekte unterschiedlicher musikalischer Expertise? Tagungsband der Jahrestagung der Deutschen Gesellschaft für Musikpsychologie 2005, Würzburg.

 

Recent Posts