Classes taught (until 2015)

Technische Universität Berlin

  • SS 2014 Introduction to Music Psychology (Nr. 3135 L314)
  • SS 2013, 2014 New Media and Music (Nr. 3135 L 316), http://neue-medien-musik.de
  • SS 2013 Selected Fields of Perceptual Psychology (with a focus on Audio Branding) (Nr. 3135 L314)
  • WS 2011,2012,2013,2014, 2015 Introduction to Empirical Research Methods (Nr. 3135 L 300)
  • WS 2011,2012,2013,2014 Laboratory Internship: Listening Tests (Nr. 3135 L 336)
  • SS 2012 Music, Media, and Emotion (Nr. 3135 L316)
  • SS 2012 Audiovisual Perception (Nr.  3135 L314)

University of Popular Music and Music Business, Mannheim

  • SS 2008, 2010, 2012 Media Controlling through Media Research

McGill University, Schulich School of Music, Montreal

  • 2011 Invited lecture Introduction into Music Perception and Cognition Research in graduate seminar „MUPP 694:  Performance Practice Seminar, Pedagogy of Performance, Pedagogy of Interpretation“, CRN 4614, Prof. F. Marandola
  • 2010 Invited lecture: Emotion and Music: Measurement Issues and Applications in graduate seminar MUMT 617 „Cognitive Dynamics of Music Listening“, CRN 12121, Prof. S. McAdams

Supervisions/Assessments (until 2015)

Monash University, School of Psychology & Psychiatry, Melburne, Australia

  • 2013 Sherilene Margaret Car: External assessor of PhD thesis: “Testing the neurobiological model of emotion-enhanced memory with emotion elicited by music“
Technische Universität Berlin
  • 2015-2016 Jakob Jerratsch, supervisor master thesis: “Experimental Investigation of Walking with Music”
  • 2015-2016 Gabriel Treindl, supervisor master thesis: “Empirical Evaluation of a New Musical Interface”
  • 2014-2015 Melanie Irrgang, supervisor master thesis: “Integrating Embodied Music Cognition into Music Recommendation Services – Predicting Verbal Descriptions of Emotional Listening Experience with Gestural Motion Data”
  • 2013-2014 Dominik Steger, supervisor master thesis: ”Movement of Sound – Acoustical and perceptual correlates of musicians’ movements”
  • 2013-2014 Martha Papadogianni, supervisor master thesis: “Vibrotactile Music Listening – Building an augmented listening chair”
  • 2013-2014 Christoph Graefe, supervisor master thesis: “Using linear mixed models for audio feature-based prediction of continuous emotional responses to music“
  • 2013-2014 Andreas Pysiewicz, supervisor master thesis: “Validity and reliability of Internet-based auditory perception experiments“
  • 2013 Carolin Dunkel, supervisor master thesis: “Ascribed function and selection of music in audiovisual advertisements – A qualitative study of expert opinions“

Humboldt-Universität zu Berlin

  • since 2015 Gina Emerson, supervisor master thesis: “Investigating the influence of mapping configuration on the reception of new digital musical instruments”

McGill University, Department of Psychology, Montreal, Canada

  • 2011-2012 Lorraine Chuen, supervisor bachelor of Sc. Honors Thesis: “Cross-cultural study of emotional response to Western and Congolese Pygmy music“
  • 2011 Myles Gaulin, supervisor bachelor of Sc. Honors Thesis: “Cognitive and Affective Effects of Fade-outs in Popular Music Song Endings“

Hanover University for Music, Drama and Media, Department of Journalism and Communication Research, Germany

  • 2009 Rico Fischer,  supervisor master thesis “A sense for the brand – Systematization of acoustical brand transfer through Instrumentation“

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